We are living in strange times” sings Tyla, in that unmistakable throaty rasp, and when he utters the song title, it comes out like “whoa whoa whoa”, which gives it a cracking hook. ‘Black Confetti’ is the lead single, and not only does it rhyme “razor sharp machete” with black confetti, it has a stonking sax throughout. It’s a ballad of sorts, but the kind of ballad that Nick Cave or Tom Waits would deliver. That sax, mixed with a stunning, atmospheric guitar solo… totally mind blowing! ‘Bloodline’ has a hint of ‘Ballroom Blitz’ to the intro, with a fantastic heavy keyboard and more stunning guitar work. The sound of a bottle being opened welcomes ‘Bottle Of Red’ into this world, and this cheery ode to the grape is most welcome. More sax, and a lovely twanging guitar, it’s light and breezy, and should put a smile on your fizog. ‘Chicago Typewriter’ is full of vivid imagery in the lyrical content, and features a rather nifty howling guitar running throughout the song. ‘I Don’t Love Anyone’ is perhaps the standout moment on the album. A gentle strumming guitar, simple piano, it’s poetic. Nothing fancy at all, just a very strong piece of music. The title track runs it a close second, more poetic balladry, and more of that unique voice. Tyla is Tyla, a maverick, a stunning artist (check out his artwork here) and a poet. Hopefully, he has many more miles in the tank, as this is a fantastic album. ‘In Vito Veritas’ is available now. Tyla has a few live dates lined up for December, find out more information here. Review: Dave ]]>
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