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BUDDY GUY PROTEGE QUINN SULLIVAN UNVEILS BRAND NEW TRACK ‘TELL ME I’M NOT DREAMING’ From the new studio album ‘Midnight Highway’ Out March 24th via Provogue/Mascot Label Group “Interpreting the blues in an appealing manner is not so different than attempting to speak a recently-learned foreign language. You can memorize the instruction book but it’s the dialect that allows you to enter the society as a true speaker of the language. Quinn Sullivan has mastered the vernacular in no uncertain terms.” Billy Gibbons “Players like Quinn come along once in a lifetime.” Buddy Guy Quinn Sullivan has packed some extraordinary experience into his decade-long career, and that’s even more remarkable when you consider that he’s only 17. His third studio album, Midnight Highway, was produced by multi GRAMMY® winner Tom Hambridge (Buddy Guy, Susan Tedeschi, Johnny Winter)– who also does double duty as Quinn’s studio and road drummer – and will be released on March 24th2017. The album is yet another milestone in Quinn’s extraordinary journey, which began with him jamming with the kids music combo Toe Jam Puppet Band at age three, appearing on Ellen when he was six, and being taken under the wing of blues legend Buddy Guy at age eight, whose protégé he remains to this day. Tell Me I’m Not Dreaming is the latest track to be unveiled from the upcoming album. Speaking to The Blues about the track Quinn says “Tell Me I’m Not Dreaming was so much fun to record. It grabs you right away and makes you feel like it’s summertime and you’re in the car with the windows down, music blasting, heading down the coast!” Quinn’s age and enduring relationship with Buddy Guy is certainly notable, but so too is his total dedication to his craft. “I wanted to see how far we could get musically on this album. I had a lot more creative input on this one and was more active in writing, so it’s something of a mixture. I didn’t want to completely break away from the blues – that’ll always be my home ground – but I just wanted to stretch out. Mastering the vocals was important too and was the result of a lot of playing and touring, and studying with a vocal coach. I’ll admit I hit an awkward stage with my voice when it was changing a few years ago, but I like the way things have worked out so far.” The album was recorded primarily at Nashville’s prestigious Blackbird Studio with some of the greatest players in Nashville, including many of the same musicians who played on the Buddy Guy albums that Hambridge produced. These include bassists Michael Rhodes and Tom Macdonald, guitarist Rob McNelley, and keyboard player Reese Wynans, a veteran of Stevie Ray Vaughan’s Double Trouble. Hambridge notes, “Quinn was anxious to make an album the way I make those Buddy Guy albums, and he did, in fact, tear it up. Quinn felt the mojo and he ‘brought it’ in a big way.” Off stage, Quinn is well aware of the unique opportunity he’s been afforded and is focused on music as an ongoing pursuit. He contrasts his experience with many of his contemporaries’ – “They’re struggling to come up with what they’re going to do when they’re out of school, but I’ve decided this is what I’m going to be doing for the rest of my life.”]]>
