Album Reviews

Review: Europe ‘Come This Madness’

Despite the millions of album sales, millions of followers, awards, and sold-out arenas, Europe would be the first to admit that, arguably, they have never received the respect that their output has deserved. The gazillion-selling, keyboard-parping “The Final Countdown” plays a part in that, as it was impossible to escape …

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Review: Hansen – ‘Born With a Hammer’

Solo albums by members of well-known bands are very rarely like the mother band’s material. Think Bruce Dickinson Vs Iron Maiden. Myles Kennedy Vs Alter Bridge. Freddie Mercury Vs Queen. Anyone expecting the new solo album from Kai Hansen to sound like his mother band, Helloween (or even the other …

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Review: The Bites – ‘The Bites’

LA-based quartet The Bites seriously impressed when they opened the show for The Dead Daisies in 2024. Not quite Jerry Lee Lewis in 1958 (allegedly) pouring lighter fluid over his piano and setting it on fire, before (allegedly) saying to the headliner, Chuck Berry, “Follow that!”, but the livewire act …

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Review: Singles Round-Up

Another week, another batch of singles fresh out of the oven. A mixture of established names and some artists starting on their journey, all worthy of your attention, regardless of placement in the pecking order. Here are just a few of the current singles catching our attention. Click on the …

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Review: Caitlin Krisko & The Broadcast – ‘Heirloom’

With the advent of streaming and AI-created music, music is, as we are constantly reminded, becoming more disposable. Kudos to the Australian Recording Industry Association (ARIA) for banning wholly or primarily AI-generated tracks from its official charts; a move that far more countries should replicate. But that won’t stop people from …

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Review: Kamelot – ‘Dark Asylum’

Studio album number 14 for Kamelot has the multinational band delving into concept album territory. Set within the halls of Victorian-era RavenHill Asylum, ‘Dark Asylum’ conjures up cinematic imagery of fictional establishments like Arkham Asylum and Peter Jackson’s early masterpiece, ‘The Frighteners’, where the backstory is that two delinquents went …

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Review: The Warning – ‘Everything’s Falling’

Any band reaching studio album number five is quite an achievement; for Mexican trio The Warning, though, that achievement is made all the more impressive by the fact that the band are still so young. At 26, guitarist/vocalist Daniela “Dany” Villarreal is the oldest, drummer/vocalist Paulina “Pau” Villarreal is 24, …

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Review: Kris Barras Band – ‘Monsters We Made’

It’s been a long-held belief around these parts that somebody needs to get Kris Barras over to America and onto one of those humongous festivals like Rocklahoma. 2024’s ‘Halo Effect’ was a huge step in that direction and an album built for international stages. The soon-to-be-released follow-up, ‘Monsters We Made’, …

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