On the heels of their record release last Friday, IRIST have released the next two installments of their ‘The Making of Order of the Mind’ docu-series, in which they discuss the process of demoing, tracking and expectations and crafting the music for the new record. IRIST is giving an intimate, behind-the-scenes look at the album’s creation in riveting segments that will be rolled out over the next few weeks. Tune in and find out why critics are hailing IRIST as “the real deal” (Blabbermouth.net) with “a barrage of killer blows that frequently surprise and never outstay their welcome” (Kerrang) and who “have the chops and potential to become one of the genre’s rising stars” (HeavyMusicHQ.com).
The framework for IRIST began in the summer of 2015 when South American born friends Pablo Davila (guitar) and Bruno Segovia (bass) conspired on a dream of finding success in music outside their native lands as iconic metal band Sepultura had done decades before. After relocating from their homelands to Atlanta, the duo brought on Adam Mitchell (guitar) and Jason Belisha (drums) and began writing music. Their demos eventually made their way to Nuclear Blast executive Monte Conner who saw massive potential in the band. After the addition of vocalist Rodrigo Carvalho, the group’s creative cohesion and songwriting improved immensely and after new demos were made, Conner inked a deal with them for Nuclear Blast and IRIST was officially born.
On Order of the Mind, IRIST’s skillful songwriting is jaw droppingly impressive, and although only together for a relatively short period of time, they sound years ahead of a ‘debut’ record and more like a well-seasoned band in the prime of their career. While there are vestiges of the group’s pan-South American heritage (from Andean music to Sepultura) throughout Order of the Mind, the band’s collective influences come from all parts of the heavy spectrum. From The Melvins, Ratos de Porão, and Alice in Chains to The Dillinger Escape Plan, Soundgarden and Converge, IRIST fold in, twist fervently, and scorch their faves until they’re decidedly protean and uniquely a product of the fivesome’s songwriting prowess. In many respects, Order of the Mind is itinerant, introspective, portentous, indefatigable in its attack, but that’s not all it is either. IRIST’s angst-powered thrusts are distinctly advanced utilizing opposing forces, textures, and layers, so no single sonic model fits perfectly, as heard on the band’s first single ‘Burning Sage’.
Order of the Mind is full of waves of rhythms and emotions and no track echoes this more than ‘Burning Sage’. It begins by catching you off guard with an intense and chaotic verse, coming in without warning. Then it breathes for a few seconds allowing a calm as a clean percussive break blasts itself into a straightforward pulsating chorus. Bruno Segovia attributes this sonic styling as being “what we thought made ‘Burning Sage’ the right song to introduce our sound.”
‘Burning Sage’ is accompanied by music video directed by Mount Emult (PIXIES, DYING FETUS) who paints an intensely chaotic picture with a frenzied deluge of imagery on a canvas that synchs perfectly with the song’s torrential soundscape.
“‘Burning Sage’s’ frantic rhythmic patterns and ritualistic imagery made our choice to work with Mount Emult rather easy,” says vocalist Rodrigo Carvalho. “We wanted to convey this song’s dark atmosphere. Mount Emult’s exciting collage work allowed us to do just that. ‘Burning Sage’ is about overcoming negative emotions – the process is represented as a ritual in which these emotions are purged. It made sense to use imagery that were a part of different cultures to illustrate how universal this theme is.”
Order of the Mind was engineered, produced, and mixed by Lewis Johns at the Ranch Production House in Southampton, UK and mastered by Grammy Award-winning engineer Ted Jensen (METALLICA, MASTODON, DEFTONES) at Sterling Sound.
Rodrigo Carvalho | vocals
Adam Mitchell | guitar/vocals
Pablo Davila | guitar
Bruno Segovia | bass
Jason Belisha | drums
Image on header – Credit: Susy Irais Reyes